Les Hôtels Paris Rive Gauche

OCTOBER : CAROLINE RUELLE

Ma muse, André Breton and me

My muse carries me, carries me away, gives me life.
And tonight he is there, close to me, all warm under the rooftops, whilst I’m deathly cold. He is sleeping.

This is my magnetic night, my night with André.
The vice tightens, compressing time.
My feet are me this evening, I am a foot-woman, head shaped like a foot, nails instead of eyes…
A chimera throws itself into the Seine. She spins and suddenly sinks into the silvery gold…
The unfailing beam of light sweeps through my soul and the thick hair of the city’s nocturnal chimeras. Paris is a jellyfish, with people as its tentacles.

Tonight, I will be in the arms of André the Magnificent, with his aquiline nose and piercing regard. I will be on his strong torso, offered for me to rest on, and we will be calm together, under the roofs of the Pantheon, just far enough away from the Grands-Hommes Cathedral, to sigh in the cool of this night and the warmth of our lives…
André, let me believe that you watch me sleep…

 

 


Hôtel des Grands Hommes


BAUHAUS

GARE DU SUD

GRUE DU PORT

METROPOLITAIN

TO BE OR NOT TO BE

ROSE VA SORTIR

UN PEU DE ROUSSEAU

BEAUMETTES

BEAUMETTES STAIRS

DERRIERE LE MUR

PAR DELA LE MUR

For prints and prices, please contact the photographer.


Caroline Rose Ruelle

 

Mob : 00 33 6 10 81 48 50
Blog : http://carolineruelle.oldiblog.com

 

Biography

Transfers.

Architecture, buildings, people burn into the cells of my retina, never tiring them.
A life spattered with exoduses open to the world, its forms, its colours, wherever there is life.
A Carthaginian childhood spent running round the stones of antique ruins, looking up contemplatively at Roman pillars lining the Tunisian hills.

In Nice, these childhood emotions come back to me: belle-époque splendour, exotic gardens, the exceptional light.
Then a providential encounter with the cinema, Studio de la Victorine, scouting locations, the places where – after my photographic visit – a family of magicians will move in with each using his acting skills when the word “action” is spoken. Reconnaissance for shooting leads one to eclectic places and endless riches: palaces, villages, churches, private grounds, villas and gardens…

At Louis Lumière cam the discovery of Polaroids and how to define a way forward: bringing together three centres of interest: photography, architecture and history. Transferring Polaroids onto Arches vellum gives a dreamlike result You stop and think… Old photos or aquarelles? The details are so precise… But the colours… slightly off… it takes you back to the stuffy atmosphere of photographic studios of the last century, where – proudly leaning on a false baluster against the painted background of a garden – one would forever fix a day of solemn communion in a family’s memory. Holding the photograph, you can feel the ridges of the vellum, its softness, its rough edges…

The work is unique, a creation.
I try to imprint it with my emotions, my imagination, my vision.

Caroline Rose Ruelle

 

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