Les Hôtels Paris Rive Gauche

DECEMBER 2009 : CEDRIC ROUILLAT

 

“Sorry, but I'm waiting for a friend to pay a visit. Did you see him in the lobby by any chance? I wasn't able to give him my room number, and as I'm here under an assumed name I'm afraid he won't find me. You'll easily recognise him: he's tall with red hair, in his twenties and very good-looking... (…) Oh no, I think your getting mixed up. That's my doctor, he just came by to deliver an urgent prescription... (…) Yes, my nerves... If you knew he my little girl monopolises my time, I don't have a minute to myself, and yet I can't get to grips with the idea of abandoning these tender evening visitors that are so important to me... and on me. So, be a love will you and look out for that young redhead. Here, let me give my real name: Gladys. (…) My surname? Oh you don't need that. He doesn't know it either.”

Hotel du Panthéon, Paris, 1931.

Thanks: Alain, Alejandra, Benjamin, Carol, Cyril, Emilia, Laurent, Michaël.

 

Hôtel du Panthéon
Hotel du Panthéon


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For prints and prices, please contact the photographer


CEDRIC ROUILLAT

Tel : 06 70 16 09 11

Mail : cr@cedricroulliat.com
Web : http://www.cedricroulliat.com

 

Bio

After a long stint working on comics, Cédric Roulliat naturally turned to photography and video to bring his work closer to popular narrative forms such as cinema, photo-stories and advertising. His models are also sometime actors, featuring in his short films that often deal with feminine protagonists close to madness.

In a Hollywood-style, fictional topography (a normalised, stereotyped environment), clichés - literal, figurative and decontextualised - can multiply themselves in a myriad of deviant environments, peopled with objects and characters signifying desire or death (just as in fairytales). These clichés, born out of saving, primitive rites, brush (without superimposing themselves) with the image which is embedded in the director's subconscious.

 

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